Interviews with the author of the "Vienna Woods Killer" and the creators of that genre-breaking piece open more doors. Add content advisory. User reviews 1 Review. Top review. Project to introduce you into opera.
I bumped into this video and it got my curiosity, since I absolutely do not mind mainstream classical music. In the beginning I thought it would be a show where some classical music is going to be played, then John Malkovich would say something while the musicians are taking a break and visa versa.
But fortunately it was more then that and John Malkovich really interacted with the female opera singers lucky old bastard , the orchestra and the audience. I hoped to find a review here from an opera-expert, who could explain to me which opera pieces were performed and how they fit in with the serial killer's story, but I see I am the first one to review this video. I hope someone who really knows opera can explain me about this some day, because the pieces have really intrigued me now.
This project is most likely made to introduce people into opera and it did work for me, so this art-project is therefore a success. However the story line, that started and built up so good, did not deliver a satisfying ending and I think more could have been done on that part. If you look at the books stacked on the table, you can see they have taken the best parts out of several different plays. Details Edit. Release date June 8, United States. Official site. Arthaus Musik. Technical specs Edit.
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After finding a host body in investigative reporter Eddie Brock, the alien symbiote must face a new enemy, Carnage, the alter ego of serial killer The story revolves around a top-secret resort for retired U.
For a while, the audience is content to see how this setup is going to play out. The secret to Unterweger's long run was his manipulative charm, and Malkovich - doing seductive standup in a dicey Austrian accent reminiscent, as he says, of that of the former governator - offers a performance that mixes glibness, charisma and reptilian elusiveness in perfect proportion. And although their inclusion is never adequately justified or explained, the musical offerings are top-notch. But near the midpoint - which is to say, right around the time that the audience starts to expect some sort of insight into the proceedings - Sturminger's script goes AWOL.
The musical excerpts get longer, the dramatic action gets sparser, and suddenly, in place of anything revelatory, there are cheap jokes about Mac vs.
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